
Due to the nature of my research, I always pay attention whenever news of corporal punishment reaches me through the various news filters of the Internet. Earlier this week I came across one such incident through Andrew Sullivan’s blog. He posted a video of a “girl” (her age is unclear from the video) being flogged by one man, while other men hold down her legs and arms. A translation of the video reveals that the girl, as she was being flogged, begged the men just to kill her, while a man instructed those restraining her to “hold her legs tighter.” A crowd of men gathered around to silently watch the punishment. According to the story, she was guilty of being seen leaving a building with a married man. Her punishment was 34 strokes with a weapon that appears to be like a heavy belt. Sullivan, in his commentary on the video, described it as “grueling” and “hard to watch.”
However, when I clicked through the link and watched, I found myself unfazed. Because my daily research involves researching floggings and interviewing people who have been flogged, I have a better idea of the range of severity of pain that can accompany such punishments. In that light, a few things about the video stuck out for me. First, the man beating her was sitting on his knees; the girl was lying on the ground. Thus, the man was not putting the full force of his weight into the blows; not even close, in fact. Even more, he is not swinging the object especially hard. He raises the belt no higher than his head, then delivers the blow. Third, he was not putting much space in between his blows: each one followed the other in rapid succession, meaning that the entire flogging is done with in a few minutes.Finally, the woman herself has not been stripped naked. She is still wearing her clothes.
All these elements are relevant given the details of the floggings I have been researching. Typically, a flogging victim was forced to strip naked. He would then be required to bend over a stool or chair while as many as twelve men pinned down his arms and legs. The weapon used was not a belt, but rather a long (maybe 5 feet) piece of very strong wood cut from a palm tree. It typically had a sharp end. The person delivering the blows was also standing, and he would use the full force of his weight, all his leverage, to deliver each stroke, cutting into the victim’s flesh with each delivery. Also, he typically spaced the blows, so as to prolong the agony of punishment: a victim might receive two or three blows, then be forced to wait one minute before the flogging would continue. Thus, judged against the floggings I have been studying, the punishment found in this video is rather mild (which is not to say that it is not also extremely painful for the victim).
After watching the video, I found myself wondering why it was receiving such international coverage. There are a few reasons, which I would like to discuss roughly in the order of their importance. First, the punishment is directed towards the body itself. A video of a woman being sent to a jail cell would not be very interesting, and further, punishments directed towards the body are regarded in Western discourses as less civilized than other forms of punishment. Thus, even in the United States, which still allows for the death penalty, the state has, over time, abandoned simpler methods of killing criminals that explicitly targeted the body, such as firing squads, hangings, and beheadings, in favor of methods which silently put the body to sleep, such as gassing, lethal injection, and electrocution. By adopting these methods we convince ourselves of our own humanity, even though when it comes to the amount of pain inflicted on the prisoner there are many reasons to prefer the guillotine and the firing squad over the doctor’s needle.
Second, the victim is a woman. Accounts of the punishment describe her as a “girl” in order to maximize the outrage of viewers, but given the nature of her crime she has also reached the point of sexual maturity. Discourses which invariably protest the treatment of “women and children” act in ways that infantilize and depoliticize women. They take on an image that we can understand and take comfort in, that of the passive victim in need of masculine protection. Third, the punishment took place in Pakistan, an Islamic country regarded as dangerous and irrational by many Westerners. It is also a country with a distinct geo-political importance for the United States, and as history has shown time and time again, accounts which make arguments about the mistreatment of women are often used as grounds for intervening in that nation’s affairs, either diplomatically or militarily. Fourth, the punishment seems to us to be grossly unfair. Not only does the crime itself, being seen alone with a married man, appear to us to be innocuous in content, but the married man who was her accomplice has not also been punished. Thus the video provides us with a glimpse into a society that is fundamentally unjust and misogynistic.
As much as the video was upsetting to Sullivan (and I am sure many others) it also reifies a certain world order that must be comforting to the Western mind: the United States, home to the largest prison population in the world and the largest number of inmates in solitary confinement, has sufficiently refined its judicial tactics that it would never be so barbarous as to beat a woman in the middle of the street simply for being seen in the company of a married man. That sort of cruelty is left to the irrational Third World, which has failed to embrace the tenets of scientific rationalism and secular government.
There is still something else which gnaws at me: in Pakistan, this incident was presumably of mild importance. A woman broke a social taboo and she was punished. I would guess her wounds have largely healed by now, though she will carry a stigma with her for quite some time, perhaps the rest of her life. But in the dissemination of this video she, as well as everyone else in the video, has been reduced to a prop, a flat character in an easy morality tale. Flogging itself has often been described as embodying a dramaturgy of power, in which the powerful elements of society stage a conflict, the outcome of which is predetermined, with the weaker elements. But the discourses that surround videos such as this one also represent dramaturgies of power: between a West that constructs an East that is alien and dangerous. This is all very Saidian, of course. Where Said missed the mark, however, was in implying that these discourses were somehow totalizing and global in their effect. They are not. They exist in a certain echo chamber, the purpose of which is not just to construct the Other, but also to use that construction in order to avoid asking more difficult questions about “home.” And just as the dramaturgy of power displayed in the video is itself something of a mirage (after all, the presence of the video camera, and the spread of the images it captured, speaks to a weakness in the power of those who inflicted the punishment), so too must the West now face the critical gaze of those it wishes to exclude. In this global discourse, corporal punishment can not only be read as a human injustice; it can also be interpreted as a critique, an answer, to the carceral networks (whose victims are also chosen primarily along lines of class, race, and gender) that have become the West’s greatest scandal.